Gameplay – 8/10
Killer Frequency thrives on atmosphere and creativity. You play as Forrest Nash, a washed-up radio DJ who suddenly finds himself fielding 911 calls from terrified townsfolk as a serial killer, the Whistling Man, stalks the streets outside. The concept is genius: you’re trapped inside a radio station, juggling sound cues, equipment, and caller decisions, trying to keep people alive with nothing but your wits and voice. The tension builds naturally, and small touches like throwing paper basketballs during downtime or flipping records add a surprising amount of charm. It’s an odd mix of horror and humor that mostly works beautifully. The only downside is that a few puzzles feel more like guesswork than logic, breaking the flow just when things get good.
Story – 6/10
The story starts strong with an instantly intriguing setup, and the mystery behind the Whistling Man pulls you in. The voice acting absolutely carries it, with some genuinely funny lines and clever banter between Forrest and Peggy, your sharp-tongued producer. Unfortunately, the pacing drags in spots. Certain conversations and scenes overstay their welcome, and a few moments in the story feel unnecessary or stretched out just to pad time. While the plot lands decently by the end, it loses some of its punch along the way. Still, the blend of dark comedy and slasher tension gives it a unique flavor that’s hard not to appreciate.
Graphics – 7/10
Visually, Killer Frequency nails the late-’80s vibe. The neon signs, analog equipment, and VHS-style presentation all set the perfect tone for its small-town horror setting. The radio station feels lived-in, full of little details that sell the illusion of a late-night shift. That said, the environments don’t vary much as you spend most of your time in the same handful of rooms, and while they’re well-designed, the repetition does dull the visual impact over time. Still, for a smaller indie title, it’s got a distinct and stylish look that fits the mood perfectly.
Sound & Music – 9/10
This is Killer Frequency’s secret weapon. The sound design is phenomenal. Every call, radio jingle, record playing, and eerie sound in the distance adds to the tension. The performances are stellar; the cast delivers lines with perfect comedic timing and believable panic when things turn dark. The sound cues and static make you feel like you are right in the studio, and when that haunting whistle cuts through the radio waves, it genuinely gives you chills. The soundtrack itself leans into the synth-heavy horror aesthetic, creating a soundscape that’s both nostalgic and nerve-wracking.
Controls – 7/10
The controls get the job done without much fuss. Moving around the radio station and interacting with equipment feels somewhat intuitive, and the hands-on aspect of switching tapes, adjusting knobs, playing records, and routing calls gives it a tactile feel. However, some of the object interactions can be finicky, especially when a tense moment calls for quick action. The slower pace of movement can also make certain sequences feel sluggish. It’s never outright frustrating, just not quite as smooth as it could be.
Final Verdict – 7/10
Killer Frequency is a clever, stylish, and highly original horror experience that does a lot with a little. Its mix of suspense, humor, and radio broadcast mechanics makes it stand out from the crowd, and moments like the chilling whistle of the killer or a perfectly timed one-liner remind you how fun it can be. But the uneven puzzles, stretched-out pacing, and occasional dull spots keep it from truly shining. Still, it’s a game worth tuning in for, especially if you love creative indie titles and are looking for something fresh to give you a scare or two this Halloween. It's a short romp, but a pretty good one.
